Interview with Israel Cachao López Part1
We have lost yet another legend, one of the towering figures in this music. Israel López Cachao died Saturday, March 22, 2008, in Coral Gables, Florida. He leaves behind a legacy few can touch. Not only was he literally part of the beginnings of modern Cuban dance music, he played a huge role in its ongoing creation. First, he and his brother Orestes López helped modernize the danzón while playing with Arcaño y Sus Maravillas, and then may well have created another genre, the mambo, through the use of syncopated tumbaos which later were adapted by pianist Dámaso Pérez Prado and applied to a jazz band format. Cachao then went on to record his legendary jam sessions with illustrious figures such as Aristedes Soto (Tata Güines), Alejandro “El Negro” Vivar, Guillermo Barreto and Rogelio “Yeyito” Iglesias, among others. After leaving Cuba as an exile in 1962, he joined the band of another legend, Tito Rodríguez, and accompanied a host of other legends, later recording a number of solo descarga albums in the 1970s. The 1980s saw him in relative obscurity, playing with local bands in Miami, until a famous admirer, actor Andy García, directed a documentary about his life, Como su ritmo no hay dos, which also included a special concert in his honor. Cachao continued to record in the 1990s, right up until 2004 with Ahora sí, his last album, consistently producing superb danzones (his passion) and rousing descargas which always were characterized not only by turbocharged playing, but also exquisitely tasteful phrasing. Indeed, his recordings could be considered musical guidebooks for all aspiring bass players and other instrumentalists who play Latin music.
